Gregory ZinmanAssociate Professor

Gregory Zinman's research and curatorial work bridges the fields of film studies, media studies, and art history, with a particular emphasis on contemporary global media art, experimental film and media, public art, and digital culture. 

Zinman's writing on film and media has appeared in The New Yorker, The Atlantic, and the Journal of Cinema and Media Studies, among other publications. He is the curator of Off The Wall @ 725 Ponce, a public screening program in Atlanta. He has also programmed film and media art at the Film-makers’ Co-op, the Museum of the Moving Image, the Berkeley Museum of Art, Asia Society New York, the Smithsonian American Art Museum, the Ann Arbor Film Festival, and several venues in Atlanta. He recently served as a technical consultant for Ad Astra (James Gray, 20th Century Fox, 2019), and is currently an archival producer for Universe in a Grain of Sand, Mark Levinson’s documentary about the future of art and computing for IBM. He is the author of Making Images Move: Handmade Cinema and the Other Arts (University of California Press, 2020) and co-editor, with John Hanhardt and Edith Decker-Phillips, of We Are in Open Circuits: Writings by Nam June Paik (The MIT Press, 2019).

Education

• PhD, New York University
• MA, New York University
• BA, Yale University